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Eugene Kingman Collection · 1909–1975

Major works

Commissions that put him in American history.

1931

Seven national parks for the Paris Exposition

On January 12, 1931, National Park Service Director Horace M. Albright announced that a 21-year-old Yale student would paint the national parks for the Paris Colonial Exposition. The Park Service had seen Kingman's Sierra paintings from the summer before.

He painted seven, from January to April 1931: Grand Canyon, Mt. Rainier, Yellowstone (Old Faithful), Yosemite (Half Dome), Crater Lake, Grand Teton, Sequoia. Six are 36 x 44 inches; the Sequoia is 36 x 68. After Paris they went back to Washington. Four are held today by the Department of the Interior and the National Park Service.

Yosemite (Half Dome), 1931, by Eugene Kingman
Yosemite, 1931
Yellowstone (Old Faithful), 1931, by Eugene Kingman, hanging at the Department of the Interior
Yellowstone, 1931, at the Department of the Interior
Geological History of Yosemite Valley, one of six panels, 1935
Geological History of Yosemite Valley, one of six, 1935
Geological History of Crater Lake, first of the series, 1935, black-and-white photograph
Geological History of Crater Lake, 1935, from a black-and-white photograph

1937

Crater Lake and Yosemite Through the Ages

In late 1935 Kingman painted two series showing how Crater Lake and Yosemite Valley were formed. The paintings were shown at the Carnegie Institution in Washington that December.

Thirteen of them, seven of Crater Lake and six of Yosemite, illustrated Wallace W. Atwood Jr.'s article in the March 1937 National Geographic. They were reprinted in America's Wonderlands in 1959. The family still holds the paintings.

1937–39

New Deal post office murals

Kingman won three competitions held by the Treasury Department's Section of Fine Arts, which commissioned art for new federal buildings during the New Deal.

Scenes of Prehistoric Wyoming, Kemmerer post office mural, 1938
Kemmerer, Wyoming post office mural, 1938.

1948

The New York Times world map

For the lobby of The New York Times at 229 West 43rd Street, Kingman painted a view of the earth from cartographer Richard Edes Harrison's designs, years before anyone had seen it from space. He painted it in the basement of the Joslyn and finished it in the Times lobby, signing it in November 1948. Across the top run Susan Coolidge's lines: "Every day is a fresh beginning... Every morn is the world made new."

The mural came down in the late 1980s and was stored rolled up. In 2014 the Times gave it to the Joslyn Castle Trust in Omaha. Conservator Kenneth Bé of the Ford Conservation Center restored it, and it was unveiled in Omaha in June 2016. Since April 2026 it has hung in the new Omaha Central Library.

The New York Times world map mural in the newspaper's lobby
The mural in the Times lobby.
Eugene Kingman painting the New York Times mural, 1948
Kingman at work on the mural. Omaha World-Herald photograph.
The unveiling of the restored mural in Omaha, June 16, 2016. Video by Quinlan Kingman Eddy.

Later commissions

1954

Omaha Waterfront During the 1870's

Painted for the Omaha World-Herald's centennial issue. Given by the family to the Durham Museum in 2019.

1968

The Missouri River dams

Six paintings of the mainstem dams, from Gavins Point to Fort Peck, for the U.S. Army Corps of Engineers. Kingman also designed the visitor exhibits at the dams' powerhouses.

1970

Water in the desert

Twelve paintings of the Bureau of Reclamation's projects in Arizona and at Lake Mead. His work was in the Bureau's show at the National Gallery of Art in 1972.

Public collections

Where his work hangs

Institutions that hold works by Eugene Kingman.

Department of the Interior and National Park Service, Washington
Four of the 1931 Paris Exposition paintings
Joslyn Art Museum, Omaha
Paintings including Melting Snows, No. 2, Cold Corner and Pioneer Trail into Council Bluffs; lithographs
Philbrook Museum of Art, Tulsa
Arkansas Cabin and lithographs
Library of Congress
Lithographs, including Ozark Farm (Pennell Collection, 1943)
Yale University Library
Five lithographs, 1937
Museum of Nebraska Art, Kearney
Melting Snows and Missouri River near Tekamah
Denver Art Museum
Cliff Ruins #1, Mesa Verde, lithograph
The Durham Museum, Omaha
Omaha Waterfront During the 1870's, 1954
Joslyn Castle, Omaha
Corn Country #1 and #2; the Kingman Room and Gallery
Providence Art Club
Jaffrey Farm, the 1929 prize painting
Clark University, Worcester
Portrait of Wallace W. Atwood Sr., 1938
U.S. Army Corps of Engineers, Omaha District
Six Missouri River dam paintings, 1968
Archives of American Art, Smithsonian
Microfilm of the Eugene Kingman papers